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In 'The Harpist'
this young woman appears lost in thought
his vision falls on one of Africa's most magnificent creatures
he envisions a peaceful dock dotted with boats
David Rankin’s landscapes are underpinned by three themes: Western and Asian cultures
Brett Whiteley 'Cat' landscape In 'The Harpist'Brett Whiteleys The Cat is interior life turned electric. All ultramarine heat and sun struck yellow, it distills the Lavender Bay studio into a charged field where colour, space, and sensation are pushed to full intensity. This interior scene borrows the language of still life, but only in name. The vase of native flowers, the blue and white ceramic vessel, and the sculptural form on its pedestal are all set in motion. Nothing is permitted to sit
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